Alexander Publishing’s How Ravel Orchestrated: Mother Goose Suite is a breakthrough in both compositional and orchestration instruction. Finally, the classic work has been re-engraved with the condensed piano part at page bottom, enabling you to see how Ravel orchestrated from piano part to full orchestra. Students of counterpoint will see specific techniques that Ravel used, where, and how he orchestrated them. Jazz musicians and composers will see how Ravel composed and orchestrated altered DOM7 chords, mixolydian chord scales, and triads with the added 9th. For fast referencing, each bar is numbered at the bottom of the page (original rehearsal marks are also included). Preceding each movement is the complete short story it was based on helping you better the dramatic composition and scoring techniques going into each work. Following each movement is a brief orchestration analysis based on the Eight Keys To Learning Professional Orchestration as taught in the Professional Orchestration Series.
How Ravel Orchestrated: Mother Goose Suite goes beyond traditional analysis by including two literary works by Poe which greatly impacted Ravel, The Poetic Principle and The Philosophy of Composition. Also included is a brief on Ravel’s method of working which goes a long way to taking the mystery out of orchestral scoring.
Simply put, there has never been a practical analysis like this before, written in an engaging, accessible read/apply style. If you want to know where Hollywood pros get their orchestral colors from, look no further, it's here.
PDF SAMPLE PAGES
CONTENTS PAGE
INTRODUCTION
MUSIC SCORE (Lo Res)
REVIEW:
All I can say is fantastic! My students, and I were completely enthralled by the analysis you provided, as well as the score with the included piano part. Two of the students are jazz majors and were very excited about how Ravel was approaching harmonization from a chord/scale jazz harmony perspective. They really started to make a connection with Ravel's approach and what they have been learning in arranging class for big band; especially the jazz harmonization and line writing aspect of the score.
The piano part at the bottom of the score is a great teaching tool for orchestration students. All of my students stated that they would like to see more scores presented in this format. They all felt that they were gaining a better understanding on how Ravel approached orchestrating this movement because of the piano part that was included in the score.
The next time I teach my orchestration class, this will be required reading for all of my students, it is that good. I love the new approach.
Dr. Rik Pfenninger Plymouth State University Also available as a downloadable PDF E-Book CLICK HERE
Watch a Video of Pavanne, the first movement, conducted by Ramon Tebar
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